“And once I had my final take, I asked Bill, ‘Do you need another one?’ And he was like, ‘I think we got it.’ And I was like, ‘Well, we could do another one.’ And he was like, ‘No, I think we got it.’ And I was like, ‘Okay, we got it.’ So, that was it … I don’t think we’ve even processed that we’re finished.” I couldn’t lean into the emotion that I was feeling about finishing because it wouldn’t make sense for the scene,” she shares. It felt like being in a snow globe, and it was very surreal. “For my final day, there was snow on set, and it was like walking into a dreamscape. So, when it came time to wrap the show, Goldberg, understandably, had a hard time saying goodbye. Thanks to her breakout role on Barry, Goldberg is currently living the very dream her character has wanted throughout the course of the series. “Even what’s in the fridge - wine, beer and half a donut - give you some clues and ideas of where this not-so-love-story love story is heading.” “They do have a son, and the brief interaction that you see with the three of them, I would say that it’s not a portrait of a happy family,” Goldberg shares. An older Barry and Sally appear to be living off the grid with a young boy, who Goldberg confirms is their son. She’d rather run away with Barry, which is so sad.”ĭirected by Bill Hader and written by Taofik Kolade, the fourth episode of Barry’s final season ends with a paradigm shift, a time jump to a double-wide mobile home in the middle of nowhere. She wanted to be an actress who was taken seriously, and anything else can’t play substitute. “Barry is the one place she can go where she’s going to feel seen, loved, heard and free of all of this humiliation and trauma,” Goldberg tells The Hollywood Reporter. TV Ratings: 'Succession' Hits Series Highs for Final Episode
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